A Comic Conversation Ep 54 - Ingrid Oliu - Los Angeles Comic Con 25
Distance NERDingOctober 03, 2025
54
00:34:2762.31 MB

A Comic Conversation Ep 54 - Ingrid Oliu - Los Angeles Comic Con 25

Episode Summary


NERDS!! This Episode, we sit down with the legendary Ingrid Oliu — the first-ever voice of Detective Renee Montoya in Batman: The Animated Series, and a powerhouse actress known for Stand and Deliver and Real Women Have Curves. From Boyle Heights to Nicaragua, to the halls of Gotham City, Ingrid shares her inspiring journey as a Latina in Hollywood, community activist, and trailblazer in animation history.


We talk Batman, tacos al pastor, Central American representation in Hollywood, her work alongside icons like Kevin Conroy and Mark Hamill, and what it was like to give voice to one of DC Comics’ most beloved Latina heroes.


It’s heartfelt, it’s nerdy, and it’s filled with Bat-Signal-sized laughs.



Timestamps & Topics


00:00 – Intro: From East L.A. to Gotham City

00:49 – Growing Up Geeky: Adam West Batman… in Spanish?!

01:50 – Shared Roots: Nicaraguan pride and family history

05:00 – Activism & Community: Fighting for Boyle Heights

09:08 – The Acting Bug: Learning English through theater in Nicaragua

11:36 – Early Career & Stand and Deliver

13:25 – Almost in Flatliners with Kevin Bacon!

14:03 – Real Women Have Curves & working with Lupe Ontiveros

19:25 – Becoming Renee Montoya: Batman: The Animated Series

23:33 – Representing Latinas in Gotham

25:28 – Working with Andrea Romano, Mark Hamill, & Kevin Conroy

28:09 – Reflections on Career, Theater, and Future Projects

30:44 – Taco Talk: The correct answer is al pastor 🌮

32:25 – Advice for Young Actors (hint: have backup skills & patience)

35:55 – Montoya vs. The Question – Who wins?

36:02 – Upcoming Projects & Where to Find Ingrid



🔑 Key Takeaways

Latina Trailblazer: Ingrid Oliu was the first voice of Renee Montoya, a character created for Batman: The Animated Series and later integrated into DC Comics.

Hollywood Representation: Her career in Stand and Deliver and Real Women Have Curves broke barriers for Latinas in film and TV.

Community Activism: Beyond acting, Ingrid worked to protect and uplift Boyle Heights, shutting down brothels and drug houses with grassroots activism.

Geeky Beginnings: Ingrid grew up watching Adam West’s Batman dubbed in Spanish while living in Nicaragua.

Nerves Never Fade: Even after decades in the industry, Ingrid still gets nervous at auditions — and she’s totally okay with it.

The Taco Test: If a restaurant can nail tacos al pastor, everything else is gold. Ingrid-approved. 🌮

Advice to Aspiring Actors: Learn multiple skills, prepare for rejection, and stay kind — because today’s secretary could be tomorrow’s star.



📣 Call to Action


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🔗 Links & Resources


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Listener Questions


Got questions for our next guest? Want us to cover your favorite fandom? Drop us a DM or email us through the website. We might just feature your question on the next episode!



Apple Podcast Tags:


Batman The Animated Series, Renee Montoya, Ingrid Oliu, Stand and Deliver, Real Women Have Curves, Latina Actors in Hollywood, Kevin Conroy, Mark Hamill Joker, DC Comics, Batman Voice Actors, Comic Con Panels, Distance NERDing Podcast, Nerd Culture, Latinx Representation


00:00:00
Well, here we are. Nerds shine the Bat signal

00:00:02
because today's guest brought grit, heart, and history to

00:00:04
Gotham City and beyond in this episode of a.

00:00:07
Comic conversation. We had the absolute pleasure of

00:00:13
talking with the incredible Ingrid Olu, the very first voice

00:00:16
of Detective Renee Montoya and Batman the animated series part

00:00:19
of the iconic stand and deliver in a powerhouse in real women

00:00:23
have curves. We dive into her journey from

00:00:25
Boyle Heights to Nicaragua and back, how her community activism

00:00:28
shaped her artistry and what it means to give life to one of DC

00:00:31
S most groundbreaking Latina characters.

00:00:33
So grab your tacos al pastor, cue up those Batman the animated

00:00:37
series reruns and say it with us.

00:00:38
Mother the yours. It's time for a.

00:00:41
Comic Conversation. All right, we've got another one

00:00:47
I'm honored to bring to you today.

00:00:49
The next Comic Conversation guest, The one the only Ingrid

00:00:53
or Liu. Hello.

00:00:54
Hello. So happy to be here.

00:00:55
We've had a blast. Good show's been good so far for

00:00:58
you, yes. Awesome.

00:00:59
I'm enjoying Diane Pershing. Yes, I met her for the first

00:01:02
time and I hadn't seen Bobby Constanza in a lot of years, so

00:01:06
it's just been great to see him. Yeah, we, we, we talked with

00:01:09
Bobby two years ago live on stage.

00:01:12
OK. And that's kind of that was my

00:01:13
in with with all of you guys Was I caught stop came by saw Bobby

00:01:18
and say, oh, I gotta go say hi to Bobby Costanzo.

00:01:20
And then James is like, hey, do you want to interview anybody

00:01:22
else? Yeah.

00:01:23
Great. So we have a segment on our show

00:01:26
called Growing Up Geeky. What did you geek out on when

00:01:29
you were a kid? Adam West, Adam West, Adam West,

00:01:32
Batman and Robin. We also share that along from

00:01:34
the other thing that I'm gonna bring up here in a minute.

00:01:36
Yeah, but I used. To watch Adam West in Spanish in

00:01:38
Nicaragua. Really.

00:01:40
Yes, I can. Only I can imagine that Adam

00:01:43
West in Spanish sounds epic. He sounds the same.

00:01:46
He does he the same thing like the how did Burt Ward sound in

00:01:48
Spanish. Very sweet, very sweet.

00:01:50
Voice was very sweet. Yeah, the only thing so now

00:01:53
really I have to think is because I know they weren't

00:01:55
doing things like this back then, but like, imagine if they

00:01:57
would have had Cesar Romero play himself in Spanish.

00:02:00
So. I wonder who dubbed him?

00:02:01
Yeah, because now you have a Latino dubbing a Latino, so it's

00:02:04
like. But back then they had the same

00:02:06
dubbers from Mexico. They all dubbed every all the

00:02:09
shows. Yeah.

00:02:10
So yeah. So all the voices were similar

00:02:12
or familiar. Familiar, right?

00:02:14
So the work was very similar. Yeah, that's awesome.

00:02:17
So I'm gonna, I'm gonna jump into this.

00:02:19
So the thing that we share in common, right, because I was

00:02:21
telling you on the way off, Mike, that we had, we share

00:02:23
something in common. I have to start with this big

00:02:25
fact. We share this in common and it

00:02:26
makes me really proud. We're both Nicaraguanza.

00:02:29
Oh my God. Oh my God.

00:02:32
And of course, you're from the mission.

00:02:33
District. I'm from the Mission District.

00:02:34
Gloria is Nicaraguansi. Yeah, I'm Nicaraguansi.

00:02:37
So I mean like I, I grew up in the mission.

00:02:40
I am like I'm come from Nick and Nick I want them to say my mom

00:02:42
is from my now all my dad is from Messiah.

00:02:44
Oh my God, my mom is from my now one.

00:02:46
My dad is from my Tagalpa. Yeah, my Tagalpa right here.

00:02:48
This is all my Tagalpa room work.

00:02:50
Oh, I'm gonna have to research that.

00:02:52
Yeah, that is awesome. Yeah, I'm, I'm very, again, very

00:02:55
proud of and then Aztec on the bottom down here, but I'm very

00:02:57
proud. We're all related.

00:02:59
Exactly. This is where we're related is

00:03:00
we're all Aztec, right? We're all part of the nation,

00:03:02
yeah. That is awesome, right?

00:03:05
So I, I found that fun because I had to double check it when I

00:03:08
when I researched it, it said she grew up partially in

00:03:11
Nicaragua. I was like, wait, does that mean

00:03:12
she's Nicaraguan? Says like is she, is she from

00:03:14
Nicaragua? And I.

00:03:15
Said born in the USI was born in Boyle Heights baby right, but

00:03:19
went back and raised in. Nicaragua and then came back and

00:03:22
and I was just like, because there are people I have a Thea

00:03:25
that's technically Sauding and she grew up in Nicaragua, right.

00:03:28
So it's kind of like that's something that's that's I knew

00:03:31
that that happened where I was like, Oh yeah, she should be

00:03:34
what? That my tech.

00:03:35
I should be salarian, but I was is she actually Nikada Wentz?

00:03:37
And when I look it up, she's actually Nikada Wentz.

00:03:39
So like it got me excited. Yeah.

00:03:41
So I was like, oh, not only am I talking to another Latina

00:03:43
Latina, but also a fellow Nikada.

00:03:45
Wednesday and we do have, I have cousins throughout that are

00:03:49
Salvadorian, that are Guatemalan, right.

00:03:52
The Olu's came from Spain. They they stopped in Nicaragua.

00:03:56
The other brother went to Cuba. So today we have relatives in

00:04:00
Cuba that we're in touch with through Facebook.

00:04:02
Right, Same thing. My last name is Ferray, which is

00:04:04
Basque. And it's, it's, you know, it's

00:04:06
very, very French, but. Oluis Catalan.

00:04:09
Right, right, right. It's been around 400 years

00:04:11
before Christ, right? The clan.

00:04:13
Oh wow. But they were wet.

00:04:15
I'm brown. Right, right.

00:04:18
It all changed when. They look well, No, Nikas tend

00:04:20
to be white. We're all shades, right?

00:04:23
We're all right, right, Right. My grandfather and we're getting

00:04:26
into a lot of lineage here. But my grandfather, he was a

00:04:28
Spanish immigrant in Nicaragua and married a, an indigenous

00:04:33
woman. So I have that on my side.

00:04:35
Yeah, my grandfather, my grandmother, married an

00:04:38
Indigenous. She was from Ashkenazi.

00:04:41
Oh, nice. And she married an Indigenous.

00:04:44
And though most of my aunts and uncles, my mother was very

00:04:47
Indigenous looking. Yeah, yeah, yeah.

00:04:49
When we, when we look up the lineage on my mom's side, you

00:04:51
know, there are a lot, a lot of indigenous on that side.

00:04:53
My mom's birth names, my mom was adopted, but my mom's birth name

00:04:56
is a very indigenous name. Yeah.

00:04:59
And and I that surprises because we found her her papers, her her

00:05:03
adoption papers and it has her original name on that.

00:05:05
And I was like, Oh my God, I can't even pronounce it.

00:05:07
It's like that, that indigenous. Yeah, cool.

00:05:09
It's really cool. So again, I was excited to see

00:05:11
that we have that in relation, right.

00:05:13
But kind of further going on that.

00:05:15
Have you found it challenging being a of Central American

00:05:17
descent in in Hollywood in general?

00:05:20
Nobody really ever knew that I was Central American at the

00:05:23
time. It wasn't, it wasn't a thing.

00:05:25
I'm I always said I was from East LA, so it was almost like I

00:05:29
was always a Chicana, right when I was very young.

00:05:31
I believe that Chicana meant that you were bilingual and I

00:05:34
said that you kind of power. Chic kind of power, right?

00:05:38
So, but I went to school in East Lai after the Nicaragua.

00:05:43
We came, I came in 78 because of the war, right?

00:05:45
And then I ended up going to public schools.

00:05:48
And I always lived in Boyle Heights.

00:05:50
I always lived in East LA, just loved my hood.

00:05:53
Yeah. And I bought my first home in

00:05:56
the hood. Nobody does that.

00:05:57
They go away from the hood. But I came back and I bought a

00:06:01
home in unincorporated ELAI was in a community activist.

00:06:05
I ran a meeting. I met with the sheriff's once a

00:06:07
month. We closed down brothels, drug

00:06:10
houses with Gloria Molina's help.

00:06:12
Yeah. Loria Molina was my hero.

00:06:14
That's awesome. I miss her.

00:06:15
That's that's amazing going into like that tight, like that level

00:06:18
of history. And we're going to get into this

00:06:20
more later, but I mean, like, that's got to be a way to

00:06:23
connect with the character with especially with with with

00:06:26
Officer Montoya. Oh, yeah.

00:06:27
Yeah. Like.

00:06:28
You know the people. Right.

00:06:29
It's, it's knowing kind of like that side of being a Latino and

00:06:32
law enforcement and everything like that, or at least working

00:06:34
with law enforcement in that in the ways that you did.

00:06:36
Yes, I had a wonderful sheriff, but he retired.

00:06:39
But we did a lot. As a matter of fact, when I

00:06:41
found out that there was a brothel down the street and it

00:06:44
was a, the cover was a $0.99 store.

00:06:46
Uh huh. I called my priest and I said,

00:06:48
listen, I found out that this place is a brothel.

00:06:50
And he goes, Ingrid, the police have been trying to shut that

00:06:53
down for a very long time. They shut it down and six months

00:06:56
it's back. Well, to today there is no

00:06:58
brothel. We shut it down.

00:07:00
That's good. And it's, it's keeping the

00:07:02
neighborhood safe, yes. Exactly.

00:07:03
Laura Molina passed a bill that if you, the property owner, were

00:07:07
aware of what was going on in your property and you didn't do

00:07:10
anything about it, you lost that property.

00:07:12
So. So given with that given your

00:07:15
history in in being in LA and everything will come in coming

00:07:18
back from Nicaragua to to LA oh when the.

00:07:21
Coming from Nicaragua to LA in 78 was tough because we were,

00:07:27
when people would find out that you were Nicaraguan, especially

00:07:30
if they were Central American, man, they put you down.

00:07:33
They didn't want you here. They were like, get get out of

00:07:35
here. We don't want to.

00:07:37
And I was like, I'm an American citizen, right, You know?

00:07:40
My mom made a point that when I was a kid and she would say, you

00:07:43
know what? You what you background.

00:07:44
I would say Nicoise. I know you're Nicoise.

00:07:45
American. Yeah.

00:07:46
If you just make sure that people know that you're

00:07:48
American, Yes. Yeah, very proud, yeah, to be an

00:07:50
American. I was very proud to be an

00:07:52
American in Nicaragua because I attended an American school.

00:07:55
So we were very proud Americans. So when I came here as a proud

00:08:00
American, and I find that I'm a not a second class citizen, but

00:08:04
a third class citizen at the time, you know, it was Chicanos,

00:08:07
Central Americans, it was the Guatemalan Salvadorians, a lo

00:08:10
nikas last, right. The Nikas were better received

00:08:13
in Miami. Yeah, I have a lot of family in

00:08:17
right in New York and Florida. Oh I have.

00:08:19
Most of my family is in Miami and half of it moved to

00:08:22
Australia. It's a big naked out.

00:08:24
There's a big Nikka in population because they were

00:08:27
taken by a Catholic organization during the war.

00:08:31
That's interesting. I didn't know that.

00:08:32
I didn't know there was a lot of Nikka in, in, in.

00:08:35
Well, you need earlier. Call them up and find out how

00:08:37
well educated they are because Australia has taken really good

00:08:40
care of these people. That's awesome, that.

00:08:42
Is amazing. Their education gave them a

00:08:44
stipend. As long as you stay in school

00:08:47
and do good, they take care of you.

00:08:48
That's amazing. I never knew that.

00:08:50
That's that's a good thing to know.

00:08:52
So jumping back into so you're back in the United States, one

00:08:55
of the acting book hit you like when did you decide I want to be

00:08:58
an actor, whether that start young or did you?

00:09:00
I was I was a clown since I was very young and my mother used to

00:09:05
say senior USA Savon de Ayun circle.

00:09:11
For for those of you out there who don't speak Spanish, what

00:09:14
she was saying, what she said is surge, you know where there's a

00:09:17
circus because I have a clown and we need work.

00:09:19
Needs to work. Yeah, that was my thing.

00:09:23
But what happened, I believe is that I had I came when I went to

00:09:27
Nicaragua when I was 3. So I forgot the any English I

00:09:31
knew. I'm sure I forgot.

00:09:32
And so we learned Spanish and then I have to relearn English

00:09:36
and I was in ESL for a very long time, right.

00:09:39
So I attended a private school where they taught us through

00:09:42
theater, through music, through dance.

00:09:44
So that's I think where the bug started to because we literally

00:09:48
were doing plays in English when we didn't speak the language

00:09:51
right. And but it was, it just put you

00:09:53
on the stage. So I believe that because I was

00:09:56
learning a language in second language through arts, somehow I

00:10:01
was always in plays. And we did a lot of the

00:10:03
performance at this Colegio Americano Nicaraguan, say

00:10:06
American Nicaraguan school. OK.

00:10:07
We did a lot of performance there and we would study

00:10:11
different cultures and countries and we would bring out their

00:10:14
music, cook their food and that's how we studied.

00:10:17
Right. You immerse yourself in culture,

00:10:19
right? That's beautiful.

00:10:20
So then I come here to the United States when I'm 15 and

00:10:23
I'm in school, and then they start to advertise the plays.

00:10:28
And somehow I'm like plays. I do this right?

00:10:31
And so I go, I audition. I get it.

00:10:34
And then a friend says, hey, you know what?

00:10:36
You should come with me to nosotros.

00:10:38
You know Nosotros organization. I've I've heard of it, but I've

00:10:41
never. But it's been around for a long

00:10:43
time, and it has truly helped actors.

00:10:45
No, it elevates actors. Yeah.

00:10:47
Yeah. And at the time, the president

00:10:50
of Nosotros was doing a lot for kids, so he advertised a lot and

00:10:54
people would come and see our classes right, OK, that were for

00:10:57
free. And we were on Wilton in

00:10:59
Hollywood. I was 15161718 right there all

00:11:03
those years every Saturday. And that's when I first I met

00:11:06
Ramon Menendez and Tom Muska. Oh nice, they were at.

00:11:09
AFI at the time, right? So I got to work with them on

00:11:12
their first film, which was a black and white titled

00:11:15
Californio. That it was never finished.

00:11:17
Five years later, their advertising, their casting

00:11:20
standing right. So I call I call up someone and

00:11:24
I'm like I need to get a hold Ramon.

00:11:25
And so I get his number. I call him and I'm on says look,

00:11:28
if you can pass for 18 by Malish audition, right?

00:11:31
And so we did, and the rest is history with that.

00:11:34
Right. And I mean, you've been involved

00:11:36
in so many major roles, major films, franchises like Standing

00:11:40
deliver. Standing Deliver.

00:11:41
Flatliners was another one that you were in.

00:11:43
That I wasn't in. What happened with Flatliners is

00:11:46
that I was cast but a week before I was supposed to shoot

00:11:49
Flatliners. And this is one of a great

00:11:53
regret because I should have, I should have performed in

00:11:56
Flatliners, but I became pregnant and Flatliners wasn't

00:12:00
paying very much and I had just booked a guest star on Fred

00:12:05
Dreyer's show. Right, I was looking at that

00:12:08
too. I can't remember the IT was the

00:12:10
most popular show on TV at that time.

00:12:13
Hunter, right? He was a cop hunter.

00:12:15
And so my agent did everything he could, talk to the casting

00:12:19
director, Malli Finn, and said, please, please, can you get her

00:12:23
out of this? Because they didn't want to

00:12:24
release me. They didn't want to release me.

00:12:26
And she's explaining to the director, a famous director that

00:12:30
I should have worked with, right, Instead of doing the

00:12:32
hunter right, I should have, but.

00:12:34
Flatliners became a runaway. See that runaway?

00:12:37
That's one of my favorite films, so I wish I would have worked.

00:12:41
That's my 6° of separation from Kevin Bacon because my scene

00:12:44
would have been with Kevin. Bacon.

00:12:46
Oh no. Yes.

00:12:48
Oh, man. So.

00:12:49
But it's all good, you know? Yeah, yeah.

00:12:50
And after that and. They're trying to revitalize

00:12:53
that that that franchise right now too.

00:12:54
So they're talking about redoing it again.

00:12:56
I'm. All go look the vote right but

00:12:58
yeah imagine that so stand and deliver nominated for an Oscar.

00:13:02
Edward James almost was fabulous and that and he deserved that

00:13:05
Oscar. And as far as I'm concerned,

00:13:07
it's his Yeah, real women have curves.

00:13:10
Yeah is another film was in. 2002 or two.

00:13:14
We shot it in 2000 and it came out in two, 2002.

00:13:17
Yeah, that was another great, great film.

00:13:21
And I was lucky because they took over a year to cast that

00:13:25
because it was. It's hard for them to find

00:13:27
chubby girls in Hollywood, right?

00:13:29
So they finally found me, thank God.

00:13:33
And I said they invited me, I read and they said would you

00:13:37
like to within this film? I said I'd love to.

00:13:39
And that's where I got to work. I had worked with Lupe Ontivedos

00:13:43
before. We had worked with Severo Perez

00:13:47
in Brother, a documentary about HIV.

00:13:51
It was a short on on HIV, but I love Lupin Ontiveros and I miss

00:13:55
her so much. You know, she passed away, yeah,

00:13:57
so many years ago from cancer. She is sorely missed.

00:14:00
Yeah, absolutely. So again, looking back on Stand

00:14:05
and Deliver, you know, there, there, there, it's, it's been

00:14:08
kind of a, a journey for Latinos in Hollywood and, and the

00:14:12
opportunities that Latinos get. You know, used to be, you had to

00:14:14
change your name if you wanted to go and be a, a big star and

00:14:17
stuff like that. Like now we're starting to get a

00:14:19
point where you can be proud, proud like, you know, Pedro

00:14:21
Pascal and, you know, a lot of the, the, some of the bigger

00:14:24
actors now are starting to be able to be proud of who they

00:14:27
are. What is kind of like your, your,

00:14:31
like, how you see, how have you seen and, and kind of have you

00:14:34
taken in Hollywood's change from, you know, the 50s?

00:14:37
I have to change my name Martin Sheen.

00:14:38
I have to change my name and not say that I'm Latino too.

00:14:41
I was a little I saw some of that coming in this in the late

00:14:46
70s, early 80s. I still knew and you know,

00:14:49
several friends that were light skinned that were able to change

00:14:52
their name and do American roles.

00:14:55
And then what was interesting is back when then when the Latino,

00:14:58
Latinos were up and coming, then they changed their names back.

00:15:05
So the, the funny part about that is that I never changed my

00:15:09
name. And my name being Ingrid Olu, I

00:15:11
would ask, they would ask me questions like, are you Latina?

00:15:15
Are you really Latina or are you pretending to be or do you

00:15:18
really speak Spanish? And I was supposed to be named

00:15:21
Juana after Joan of Arc. Oh, yeah.

00:15:24
OK. Mother.

00:15:24
Catholic mother. Yeah.

00:15:25
You know, so they're going to name you after a virgin.

00:15:28
And so my my aunt Kenny, that was a Chicana, said don't you

00:15:32
dare do that to your daughter. Why would you name her the most

00:15:35
common name in Nicaragua? Juana Juan Iguana.

00:15:38
Yeah. Jose Maria de Mexico.

00:15:41
Right. So she said, OK, so the actress

00:15:43
of Joan of Arc is Ingrid. Ingrid Bergman.

00:15:46
Yes. Yes.

00:15:46
So what about Ingrid? She said.

00:15:48
You know what? That's perfect.

00:15:49
So she named me Ingrid Fatima. Ingrid, Fatima.

00:15:53
I didn't get. Yeah, the amount of Fatima was

00:15:56
in my family as well as Seth Hill is a very common one.

00:16:00
But Fatima says. Yeah, yeah.

00:16:02
My one of my favorite cousins, her name is Fatima Fatih.

00:16:04
Yeah, we'll call it Fatih. Yeah.

00:16:06
Oh, yeah, my yes, yeah, I leave Fatima out.

00:16:12
So again, going more into the acting for Stand and Deliver,

00:16:16
was that your first onscreen that you did or?

00:16:19
No, no, I had done a few films already.

00:16:22
Yeah, no, I. Have do you remember your first

00:16:24
audition? Like, were you nervous the first

00:16:26
audition? Well, my first auditions were

00:16:28
four AFI. Yes, I was scared to death.

00:16:31
And as a matter of fact, I remember the first film that I

00:16:35
did for AFI, directed by Carlo Allen, and when I had seen it at

00:16:41
some point, I was not very good overacting.

00:16:46
But that was my first, and I was 16.

00:16:49
But auditioning was hard because we were competing against our

00:16:53
classmates. Yeah.

00:16:54
So it was, I remember for this film, it was a friend of mine,

00:16:59
and I were up against it and. But I got it.

00:17:01
And that was the beginning. And I did about four AFI films.

00:17:06
So I I still, I still get very nervous when I audition.

00:17:10
So being Nerbiosa, I am very nervous.

00:17:13
And it's OK, it's human. It is.

00:17:15
It is. You should, you should never go

00:17:18
into anything with no nerves because that just says that

00:17:21
you're inhuman at that point, right?

00:17:22
Like I, I'm nervous. I've, I've interviewed so many

00:17:24
people. I'm, I'm nervous every time I go

00:17:26
into an interview and then I relax one time in the interview,

00:17:29
right. So that's, you know, there's,

00:17:31
there's always a level of all, man, I don't want to mess this

00:17:34
up. I don't want to do this, You

00:17:35
know, I hope I do well, you know, and things like that.

00:17:37
And regardless of how well you are and how, how often you do

00:17:40
these things, you know, and I'm, I'm sure acting is 10 times

00:17:44
worse. Yeah.

00:17:45
And it doesn't go away. Yeah, it doesn't.

00:17:46
Yeah, absolutely not. I mean, you can hot.

00:17:48
You can act like it doesn't go away, but it does, or it doesn't

00:17:52
go away. You hold on.

00:17:53
To and I'm OK with it, yeah. It makes you feel human, yeah.

00:17:57
All right, so I feel. So let's let's jump into Renee

00:18:00
Montoya. I kind of mentioned her earlier,

00:18:02
but Renee Montoya is one of the only VO credits that you have

00:18:05
when we start looking up the credits and everything, was the

00:18:08
audition standard for Renee Montoya or did they, did you get

00:18:12
called in for Renee Montoya? They were looking for Renee

00:18:15
Montoya. But at the time I remember, and

00:18:18
I believe that the reason I believed I had gotten the role

00:18:22
was because they wanted a neutral Spanish.

00:18:25
And at the time I did not have comics.

00:18:28
I hadn't done worked on animation, but I had worked for

00:18:32
the radio. We had done a lot of

00:18:34
commercials. And for a while I was the voice

00:18:36
of Sears in Spanish, right? Work in Sears, Sudinevale,

00:18:40
Buchi, Muchas, Cosas Mas. I'm not going to say I've never

00:18:44
heard that. I I just remember commercials

00:18:46
growing up and, you know, my parents watching TV.

00:18:48
The radio was. Always good for us to do

00:18:52
commercials. So I'm, it helped me make money.

00:18:54
And I remember when I had my first child, she was covered by

00:18:57
AFTRA first, which was radio and then SAG.

00:19:00
So I was proud to, to know that I was working enough to be

00:19:04
covered, you know, have insurance and take care of my,

00:19:08
my daughter. But that's not an all.

00:19:10
I mean, most of the time we are without insurance, right?

00:19:13
And now it's. Worse, especially as a working

00:19:15
actor. Yes, yeah, we don't.

00:19:17
What has helped is auditioning from home because before we were

00:19:20
spending a lot of gas, paying parking and now we do it from

00:19:24
home. One second you have like guys,

00:19:26
please, why are they in here? No, but so we're talking about

00:19:33
insurance basically. And oh, your first child, Well.

00:19:36
Yes. And I have to say that I have

00:19:38
been very lucky to work because, yeah, Latinos aren't often work,

00:19:42
but I was just, I just got some great jobs, right?

00:19:45
You know, and maybe at the right place at the right time, really

00:19:49
good representation. But I was fortunate, right?

00:19:52
But the fact that I was Central American never came to play

00:19:55
because I grew up in East LA, right?

00:19:57
And for me, I always said I'm from the hood, right?

00:20:00
I'm still from the hood. You're essentially a local at

00:20:02
that point. Like it's like, no, I'm from LA.

00:20:03
From East LA, right? Exactly.

00:20:05
I think wise, I love Boyle Heights.

00:20:07
Yeah. You know, I love the fact that I

00:20:08
would walk down Boyle Heights at Brooklyn Ave. where there was

00:20:12
still a bagel shop. Right.

00:20:13
Imagine you know. And it's funny because like I

00:20:16
hear anytime I hear, you know, I'm from, I'm from ELAI always

00:20:19
think of Cheech Marin, like, like I always think of that.

00:20:24
That's like the first line that comes in my head every time.

00:20:26
Yes. So it's Boyle Heights, Yes.

00:20:28
And very proud. I love it, yeah.

00:20:30
Love the community there. That's.

00:20:32
Awesome. It's, it's, it's, it's amazing

00:20:33
again that you're still part of the community and you still, you

00:20:37
know, you, are you still involved in the community now?

00:20:39
I'm not the last. We did move from the church, but

00:20:43
all I have are my friends. So on Facebook we're all over

00:20:47
all my friends that I still have in East LA.

00:20:49
But no, no, I'm married a green girl, so I'm in South Pasadena

00:20:52
now. No, I say that with.

00:20:56
Love, you say that with love. So jumping back into Renee

00:20:59
Montoya. So what was the what was your

00:21:02
experience in in play act playing that character,

00:21:04
especially over a few seasons? Also, because she's had such an

00:21:08
influence and then such an impact in the zeitgeist as her

00:21:11
character. She's gone on to be in the

00:21:13
comics, and now they've had multiple live action versions of

00:21:16
her, you know, and she was made for the show.

00:21:20
Yeah. So knowing that you were the

00:21:21
first person to ever play that. Character.

00:21:23
It's an honor, right, that I'm just giddy over the fact that I

00:21:26
can travel and meet so many fans that just you were the first,

00:21:32
you know, you were the first Montoya, and they all remember

00:21:36
my lines. And what's most interesting is a

00:21:39
lot of them love the Spanish, the very little Spanish that we

00:21:42
used. They come and they tell you the

00:21:44
words. It's it's funny because anytime

00:21:47
Renee came on the show, that was always something that was a big

00:21:50
deal to me. He's like, OK, her name is Renee

00:21:51
Montoya. She's Latina.

00:21:52
But, you know, did they cast somebody who a Latina in the in

00:21:56
the role? Because I always felt like, OK,

00:21:58
well, you know, especially like with things like that, you're

00:22:00
not always going to cast a Latino for, for, for, for the

00:22:02
role. And then the very few times that

00:22:04
you would make like deliver lines in Spanish, she was like,

00:22:06
oh, no, she's Latina. Yeah, right there.

00:22:07
And that gave me almost like a sense of pride to know that

00:22:10
there is a Latina playing a Latina on on the show, even

00:22:12
though it's animated and you don't know who it is.

00:22:14
Yeah, it's. It Oh no, they wanted they she

00:22:17
had to be Latina and she had to speak fluent Spanish yes without

00:22:21
an accent right, but they wanted it to be neutral so you wouldn't

00:22:24
know where you so you couldn't claim her right you know which

00:22:26
is cool right, which is cool and.

00:22:29
That's, that's the way I try to conduct myself.

00:22:31
I try to be neutral in both languages, you know, and that

00:22:33
way and you know, I'm Latino, but at the same time I'm, I'm

00:22:35
American. I'm American, right?

00:22:37
I had a young man come up to me today and he said Madre de Dios,

00:22:41
that was one of her lines. Right.

00:22:45
So when you when when you first started playing Renee, did you

00:22:49
know like almost like sometimes, you know, when you when you look

00:22:52
at a role, you look at some of the lines, you know this, this

00:22:54
person is going to be big. Did you know that Renee was

00:22:56
going to become what she became? No, not at all.

00:22:59
And if anything, I was very, you know, I was new.

00:23:02
I was very green to this, but our casting director and the

00:23:07
person that directed many of the episodes, Andrea Romano, was.

00:23:10
Awesome legendary. Just she was very caring and

00:23:13
just very gentle and, and guided us, right.

00:23:16
She definitely guided me. I needed that.

00:23:18
And I was in awe. Dude, I was sitting next to Mark

00:23:21
Hamill. Are you kidding me?

00:23:23
Are you kidding? Mark Hamill's my joker.

00:23:25
Mark Hamill's My Joker. And he's just yes.

00:23:27
Yeah. Perfect.

00:23:28
Yeah, perfect. Yeah.

00:23:30
Everyone was. Yeah, Mark and Kevin are the

00:23:32
voices that pop in my head when I, when I read my comment comic

00:23:35
books. Like anytime I read a comic

00:23:36
book, Mark and Kevin are the ones that pop in my head.

00:23:38
Yeah. Yeah, Kevin Conroy.

00:23:39
May he rest in peace. Rest in peace, Kevin.

00:23:41
Yeah, he he that man defined Batman everything just because

00:23:46
I've, I've always said this and we, we have these debates on our

00:23:49
show, but like, you know, who's the best Batman?

00:23:51
I'll say, well, are we seeing just live action or can I say

00:23:53
every any version because Kevin Conroy is my Batman, right?

00:23:57
Kevin Conroy is was the first person to realize that Batman is

00:24:01
who the character is and Bruce Wayne is the mask, right?

00:24:04
And Kevin until recently was the only one that changed his voice

00:24:09
for Bruce Wayne and kept his regular voice as Batman, right?

00:24:12
And he explains it in in another interview or he he explained it

00:24:16
and said because Bruce is the mask.

00:24:18
Bruce is who he's hiding from. Bruce is not who he is or as

00:24:22
Batman is who he is. That's why he used his voice as

00:24:25
Batman and he pitched it up for Bruce Wayne.

00:24:26
Wow. Yeah.

00:24:28
And I just that that level of just masterful acting was

00:24:31
something that I appreciated about Kevin.

00:24:33
That's beautiful. Yeah.

00:24:35
So given you know all of your experiences and everything that

00:24:39
that you've gone through in your in your experience and acting

00:24:42
everything like that, have you seen yourself change going down

00:24:46
the road? Do you recognize any changes in

00:24:48
yourself and when you started to to now like any notable changes

00:24:52
in yourself? No.

00:24:54
Ask me again, not in tiendo. So what I'm asking is from when

00:24:57
you first started acting to to now, right?

00:25:00
Have you noticed any significant changes in yourself from when

00:25:04
you first started acting to where you are now career wise

00:25:06
like? Yeah, yeah.

00:25:07
No, I just feel more in control because when you start off

00:25:11
you're, you know, you're very nervous and there are a lot of

00:25:15
unknowns. But once now I'm 62, I'll be 62

00:25:19
soon. I'm very relaxed in my skin.

00:25:22
I still get nervous, but I feel, umm, I've had a nice career, you

00:25:26
know, I've had a nice career and as a mother raising my child,

00:25:30
she's just started her third year in college.

00:25:32
Nice. I'm just stepping back and

00:25:34
enjoying. Just when I come here and I meet

00:25:37
so many people, it's just, you know, you've arrived.

00:25:40
You did well, you did well. And now I would like, I would

00:25:43
love to do just do theater. Oh man, and have you not been on

00:25:47
stage work before? Done a lot of stage.

00:25:49
You've done a lot of stage. Work for free, right?

00:25:51
We've done some incredible plays at Casa 01/01 in Boyle Heights.

00:25:55
Please visit the theater. We have electrical right now.

00:25:59
Great theater founded by Josefina Lopez.

00:26:01
Oh yes, I did many plays there. We did one.

00:26:04
We produced it twice. It was so good.

00:26:06
Clean start. We had Bahitas going in going,

00:26:09
oh, this was like a real professional production where

00:26:12
and you start like they were like, this is so professional.

00:26:15
I mean that is professional. Wait a SEC.

00:26:17
With real actors, yes. So they're like touched, 'cause

00:26:21
it's not, not the Pantages. We're in Boyle Heights and wow.

00:26:25
Right. Yeah.

00:26:25
So no, no, I did a real woman have curves at the Padua.

00:26:29
No, not Padua. Pasadena Playhouse.

00:26:32
Oh yeah, yeah, yeah. And yeah, but this, this theatre

00:26:35
doesn't pay. There are very good many

00:26:37
opportunities, but I'll do it for free.

00:26:39
I'd love to do Shakespeare, but I've learned the.

00:26:41
Love of it. Yeah, yes, yes, yeah.

00:26:43
And I mean, you've, you've technically done a Shakespearean

00:26:45
role. If you look at the way that that

00:26:48
Batman, the anime, so it was written, that was very

00:26:50
Shakespearean, yes. Yeah.

00:26:51
The way that they wrote the characters.

00:26:53
They were supposed to write her in a lot, lot more and they

00:26:56
didn't, so yeah. Yeah, well, like I said, she she

00:26:58
got expanded on a lot more later.

00:27:00
She'd be she she at this point, she's a fan favorite for a lot

00:27:02
of people. So Oh yeah, her name, Montoya is

00:27:04
a big he's. Had a huge following.

00:27:06
I had a very huge gay following. Yes, a lot of ladies that give

00:27:11
me a lot of love. And it's deserved.

00:27:14
It's deserved. The performance was great and

00:27:16
the character was written very well.

00:27:17
So my, my, my applause to you for, for, for giving us that

00:27:22
character, even though again, you, you performing the

00:27:24
character and giving us a tangible version of the

00:27:26
character. Thank.

00:27:27
You so we appreciate that. As fans, we appreciate that.

00:27:30
So we're going to jump into some wrap up questions here.

00:27:32
Sure. So I'm going to ask you the

00:27:33
hardest question as a Latino, the hardest question you're ever

00:27:35
going to be asked in your life. OK, unless you know the correct

00:27:38
answer, because there is a correct answer to that.

00:27:39
What is your favorite kind of Taco?

00:27:42
Al Pastor. And that's the correct answer.

00:27:44
High five, really, that's the correct answer.

00:27:47
So I talked to a lot of chefs and things like that.

00:27:50
They say that the litmus test for a Taco or for for how good a

00:27:55
restaurant is, is al pastor. If you go into any Mexican or

00:27:59
any restaurant that has tacos, get Alpha store because if the

00:28:03
Alpha store is good, everything in that restaurant is going to.

00:28:05
Be good. Well, I need to show you.

00:28:07
Which is also my favorite Alpha store is my go to number one for

00:28:11
everything. Yeah.

00:28:11
Are you? Running out of.

00:28:12
Time. No, no, you're fine.

00:28:14
I just took my best friend Friday night.

00:28:17
I took her to the best. I was my store, which is

00:28:20
Figueroa and you're you're in Highland Park.

00:28:23
OK, Ace. So ace the.

00:28:25
Best Yes, Yes, ma'am. Right off the thing.

00:28:28
Do you know if they're open tonight?

00:28:29
Because that might be where we go to dinner. $3 tacos.

00:28:31
Oh, that's where we're going tonight, Holozama.

00:28:33
York and there's no name, they're all out on the This used

00:28:37
to be a $0.99 store that was closed, so the parking lot is

00:28:40
always empty so everyone is parked here and there's

00:28:44
incredible pasta right here, $15.00 that's cash.

00:28:47
OK, they say credit cards the the pasta guy is excellent, but

00:28:51
he doesn't take. Part OK, I think we're all in

00:28:53
York. Yes, OK, it's Salamel said.

00:28:55
Where we're going tonight. Dad, where you want.

00:28:57
To what's some quick advice that you might have for anyone trying

00:29:00
to get into the industry? Just like something that you

00:29:03
wish you would have known when you were, when you were up and

00:29:05
coming. I just say always, I always had

00:29:07
two or three jobs. So if you, if you don't, if

00:29:11
you're not prepared, if you don't have any skills, get them

00:29:14
before you do anything because you always will have need

00:29:17
something to back you up because you're not going to make money

00:29:20
for a long time. Yeah, you know, it's very rare.

00:29:23
It's like the Lotto and it takes a very long time before you make

00:29:26
money. Gotcha.

00:29:26
Like you got to get in the union and everything.

00:29:28
That's very expensive, dude. This is an expensive career and

00:29:33
you're going to take a lot of rejection, so you need to be

00:29:36
strong, right? And I always say that it's good

00:29:38
to be. You don't have to be religious,

00:29:40
but be spiritual because it's going to help you, right?

00:29:42
You really need it, right? But always have learn, go to

00:29:46
school, stay in school, educate yourself, go to college if you

00:29:49
can, or just learn a skill, learn a skill, learn a few

00:29:52
skills, right? Because they're always going to

00:29:54
help you, right? And just be patient and be

00:29:56
respectful because you never know where this that secretary

00:29:59
that you were just mean to, you never know if she's going to be

00:30:02
directing. That's right.

00:30:03
We never know, OK, if she's going to be a star.

00:30:04
So just be kind, especially today.

00:30:06
Let's be kind to each other. Let's respect each other, right?

00:30:10
Let's love each other. We're better.

00:30:12
We're Americans, and we're better than.

00:30:14
Right. Treat everybody with respect,

00:30:16
because respect. Everybody.

00:30:17
With respect to get respect, that has to be has to be given

00:30:20
as well. So I'm going to ask you another

00:30:22
hard question here, OK. And this is more hypothetical

00:30:24
here, right? Because this is not a version of

00:30:26
the character that you've played, but Victoria Sage, who

00:30:30
is the original question, gets in a fight with Renee Montoya.

00:30:33
The current question, who wins in a fight?

00:30:35
Montoya. Montoya, she's a better fighter

00:30:37
overall. Like the thing about Victoria is

00:30:40
he's very smart and even though he's like the Super conspiracy

00:30:43
theorist, but like he's very smart.

00:30:45
He's he can fight, but Montoya has way more St. smarts than

00:30:48
than than Victoria Sage does. You have I'm sorry, I keep.

00:30:51
Did you see the Altieri just gave me a picture.

00:30:55
He just drew something for me. Was it the one I saw on your

00:30:58
table? I think it was, yes.

00:30:59
The muscle, yes. Yes, that's all I said, because

00:31:03
I said, why did you make her the skinny?

00:31:05
The skinny Rena Montoya we started, She was a skinny she.

00:31:08
Was super skinny, right? Yeah, and he had made her all

00:31:10
muscles. And they said no, no, no, no,

00:31:12
no, don't do this. And I'm like, why is she?

00:31:13
I said this is a real woman. Right, right here, right.

00:31:17
So then. Yeah, so then he drew her.

00:31:20
He's like, no, this is what I wanted.

00:31:22
This is what Warner Brother wanted.

00:31:23
I wanted this and. So that's how he's doing.

00:31:25
He's doing a new book on her right?

00:31:27
OK. Right, she.

00:31:28
And then she looks. Yeah, like this, she's so much

00:31:31
more formidable and. And, and in that way, she she

00:31:35
was already intimidating. And I think, again, a lot of

00:31:37
that was your voice because you gave her this kind of like this

00:31:39
sense of power, right. But like, drawn like this.

00:31:42
Yeah. No, you're not messing with her

00:31:43
at all. No.

00:31:44
And I, I have always felt that I was strong, and that has a lot

00:31:47
to do with my mother, Berta Morales.

00:31:49
She was a badass ahead of her time.

00:31:52
I love you. Rest in peace, rest in peace.

00:31:54
So what's next for you? Do you have any any shows coming

00:31:56
up on the projects that are not under NDA?

00:31:59
No, I have a few shorts coming out.

00:32:01
I'm Paro and Lucy are is the one that I just finished with an

00:32:05
incredible director, Al Fernandez.

00:32:09
He's from the Dominican Republic.

00:32:10
He graduated from Harvard, OK. And he is writing some beautiful

00:32:15
stuff, very poetic. So Ete Dominicano is going to do

00:32:20
a lot. So I'll be posting stuff, yeah.

00:32:24
And scenes from it. But I've been doing a lot of

00:32:27
shorts, OK. I've been doing a lot of shorts

00:32:29
that are going to be coming out. I have one in Netflix coming out

00:32:32
next year called Peracito de Carne.

00:32:34
And it's about aphasia front temporal, which is what Bruce

00:32:39
Willis has, right? And it's really because we need

00:32:41
to get, we need to get the word out, especially for Latinos.

00:32:44
This is happening a lot for Latinos.

00:32:45
So we need to educate ourselves. Right, right.

00:32:47
Just they need to have more awareness about the things that

00:32:50
are playing. And yes, and go, please be

00:32:51
tested, right? It's coming out a lot in

00:32:53
Latinos, yeah. Well, the other thing is, you

00:32:55
know, we come from a very macho society and Latinos are, you

00:32:58
know, I don't go to the hospital unless I'm dying, right?

00:33:00
So like, yeah, it's definitely something that I advocate for

00:33:03
that, hey, you know, don't don't let things happen.

00:33:06
And then just go when you're dying, like go get checked,

00:33:08
checked up. Like, you know, go see the if

00:33:09
you can go see the doctor and and, you know, just get a bill

00:33:12
of health. Just know that you're doing OK.

00:33:14
Yes, you have to go and turn yourself.

00:33:16
Don't wait till you're dying. Right, exactly.

00:33:18
Because again, that's the problem in in our community is

00:33:20
we, we don't, we don't go to the doctor until we're already

00:33:22
dying. So, yeah, so where can everybody

00:33:25
find you? Where can everybody learn more

00:33:26
about you? Social media, websites, anything

00:33:28
that you want to kind of push out there.

00:33:30
You can find me on Facebook, Ingrid Olu and I'm on Instagram

00:33:35
TikTok but Facebook is is where I post more.

00:33:39
I'm OG guys. TikTok is very hard for me to

00:33:43
control. We're trying to expand ours more

00:33:46
too. Like my soldiers help me.

00:33:47
No, I'm just like this goes too fast.

00:33:50
But it grows the audience pretty, pretty crazily so.

00:33:52
Yeah. Yeah.

00:33:53
Well, ladies and gentlemen, I would like to thank Ingrid Oleo

00:33:56
for spending some time with us here.

00:33:59
As always, ladies and gentlemen, thanks.

00:34:01
And keep nerding together. We'll see you on the next one.

00:34:03
Well we hope you enjoyed this weeks comic conversation.

00:34:09
This was the production of the Distance Nerding podcast and

00:34:11
Time for Tacos media. For more content follow us on

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00:34:17
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00:34:20
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00:34:23
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00:34:25
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